🐱 10 Harsh Realities Of Rewatching Anime

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Classic anime series are often ranked by rewatchability, and avid otaku love nothing more than sharing old favorites with new friends. But rewatching a personal favorite can have some definite downsides.

Anime often act as time-capsules, reflecting the era that created them as well as the mindset of the audience that enjoyed them. Memory is fickle and the sands of time can be cruel. All too often, rewatching a series leaves fans disappointed, wondering why a beloved show has lost its charms or how they fell in love with it in the first place.

10 It's Not Easy To Write Something Timeless​

Knowing a punchline doesn't always ruin a joke. Many great comedies improve on a rewatch because anticipating a great gag can be as rewarding as being taken off guard by one. But it takes an especially clever writer to write jokes that remain humorous years after airing. Too often, jokes are dependent on cultural touchstones that soon lose relevance.

While most jokes in Gekkan Shojo Nozaki-Kun are funny years on because they're tailored to the characters and situations they find themselves in, other comedies aren't so lucky. Offbeat, inappropriate humor made the Ghost Stories dub infamous, but it doesn't work anymore. Jokes about Rosie O'Donnell and principals being lesbians just don't jive with modern sensibilities.

9 Formulaic Patterns Become More Apparent​

Every genre has its tropes and clichés, and this can hamper a rewatch. After a while, one isekai becomes indistinguishable from another. Going back to rewatch earlier entries in the genre is often disappointing because isekai, arguably, have improved a great deal since Sword Art Onlinereally popularized the genre.

Similarly, watching older mecha shows can be challenging in a post-Evangelion era. Magical girl anime that aired prior to Madoka can feel vapid. When a series is built to match the confines of a very specific mold, there is little point in rewatching it after the mold is broken. After all, there are a dozen similar series on the horizon, and only so much time in a day.

8 The Twists Are Twists No Longer​

Credit where credit is due: Death Note remains a tense viewing experience on a second viewing. Yet, knowing the results of Light's decisions, the plot points to come, and the unsatisfying demise of several key characters to come can't help but deflate the story.

While suspense series don't necessarily become a dirge on a second watch, some degree of their luster is inevitably lost. There's no recapturing that surprise twist.

7 Time Is Often Unkind To Animation​

Shows that were instant classics when they aired haven't often fared well as animation technology has improved. The advent of digital and flash animation, now more seamlessly integrated into 2D storytelling, has revolutionized anime.

But there were always series that, quite simply, never had the budget or time to deliver on an aesthetic front. Not to mention, character designs and art styles go out of fashion. Trigun is a great show, but it's undeniably a dated show.

6 Storytelling Can Age Poorly​

A romantic comedy that begins with the threat of sexual assault simply doesn't hold up in the modern world. It's hard to recommend shows like My Little Monster because the implications of sexual violence are inexcusable. Similarly, fans have their reasons for avoiding newer shows like The Rising Of A Shield Hero or Mushoku Tensei, given the controversies that have plagued both.

Such misfires are particularly notable in the BL and yuri genres, where sexual assault was long treated as a standard stage of courtship for same-sex characters. It's impossible to watch series like Junjou Romantica without feeling extremely disturbed, but, at the time, when the show first aired, some queer fans were willing to take whatever representation they could get. These days, series like Given and Yuri!!! On Ice suggest the bar can and should be higher.

5 Distance Makes Nostalgia Grow​

Kill La Kill is, in the minds of many an otaku, a fantastic show. But trying to recommend Kill La Kill to anime newcomers can be an uphill battle. The show is sexualized (intentionally, but undeniably) to an incredible extent. And while devotees can argue that TRIGGER was trying to be progressive and even feminist, it can be a lot to ask of a new generation to stomach a series this full of fanservice, no matter how fun the ride.

Kill La Kill was once an almost revolutionary anime. But that's the reality of being groundbreaking: what was once progressive can become regressive.

4 Pacing Problems Become Hard To Ignore​

Watching filler episodes once is hard enough, but on a rewatch, even devout fans won't think twice about skipping One Piece's Davy Back Fight fillers or Naruto Shippuden's Allied Mom Force!!! arc.

Fillers are annoying, but it goes deeper than that. Filler episodes bog down classic shows significantly. This is especially true for shonen hits. When a series like Naruto is rewatched in a series of binges rather than single episodes weekly, the pacing quickly goes to the dogs.

3 The Novelty Wears Off​

Sometimes, the charm of a series comes down to how unique it is. One-Punch Man was a refreshing shonen satire, and there's nothing Gintama can't lambast. When a showa-era series was reimagined for a modern era in Osomatsu-San, the novelty was matched by a zany script and oddball characters.

But being quirky isn't enough to sustain a legacy. While these series are certainly beloved, they had the good fortune of arriving precisely when they needed to, riding the zeitgeist to perfection. Rewatching them years later fails to capture what made them so special, especially since imitators have followed in their wake, cheapening the novelty.

2 The Comparison Mindset Kicks In​

Shonen is the most popular anime genre on a global scale, but this popularity has its pitfalls. Shonen clichés are well-known and often exhausting, and though "chosen one" narratives and powering-up are certainly appealing to fans, sometimes, watching a new shonen series feels exactly like watching an old one.

It's not really fair to compare early Dragon Ball Z to Demon Slayer, but that's the way human minds work. And while current shonen hits are indebted to the classics, it's hard not to appreciate how far anime has come.

1 Rewatching Even True Classics Has An Inherent Downside​

Some shows are actually better on a rewatch, but even this can be rough on fans. Classic shows can prove to be truly unmatched. Rewatching Fullmetal Alchemist: Brotherhood confirms for most otaku that the series is among the best shonen series ever made. The characters are fantastic and nuanced, the story wrenching and ambitious, the worldbuilding immense. Rewatching Brotherhood is never a bad idea, but take heed: anything watched immediately after a masterpiece can't help feeling like a letdown.
 
You want a timeless anime with a relevant underlying message and great storytelling. Go watch s-CRY-ed.

It’s about a race of humans who are hated and feared by society at large, and in many cases justifiably so as they happen to commit a majority of violent crime due to their generally poor economic standing and lack of proper family units. The story follows a criminal of this race who in the midst of a territorial gang dispute is apprehended by another man of his race who works with the police and is angry because people like the criminal in question are the ones causing them to be hated and thought of as sub human. The crux of the story hinges upon these two men and their differences of political opinion. It’s framed like a very cinematic show about fighting with X-Men powers though.
 
It's okay to be wrong.

...except when you're wrong like this-- this is just objectively incorrect and your chronology's all whack.
2003 did great for what it had. Definitely, a product of its time but it nails the darker undertones. When I first watched it I was shocked at how dark it was compared to the original, it's like they took FMA and mixed it with Kino's Journey and you get really interesting anime out of it. My only complaint is that Shamballa should have been S2 instead of a movie but barring that it's a pretty solid show that marked the end of the old-school anime era as more otaku-oriented shows started flooding the market after 2004 to the point that by the time Lucky Star ended that's all you had.
 
Don't the points outlined in the article kind of apply to rewatching any media years after you first watched it? You could replace the names of all the anime in this article with the names of Marvel movies and it would be just as true.
 
Don't the points outlined in the article kind of apply to rewatching any media years after you first watched it? You could replace the names of all the anime in this article with the names of Marvel movies and it would be just as true.
This is CBR, a clickbait pop culture site that used to specialize in comic book news until Jonah Weiland sold out a decade or more ago. Quantity over quality of their articles is basically their business model as is paying shit rates for them.
 
2003 did...
No, I mean, you're wrong because the 2009 series is an adaptation of the manga material, not a rendition of the 2003 series.

I think I've become softer towards the '03 series (I always liked it with the exception of-- largely, anyways-- the last stretch) on account of it being able to keep its thematics intact regardless of the questionable plot/lore decisions. I mean, dude, that was my first anime-- at least the first one I gave a hoot about. Its main character was voiced by the only VA I care about to this day, too.

In the context of comparison, though, the attraction to the '03 series for its darkness is something that wears me out a bit. The '09 series had a more directed plotline, was able to leverage the concept of alchemy as a theme driver better than the '03 series (in part because it didn't make it look or operate more fancily than it had any right to be outside of big stuff like human transmutation), and definitely had its own darkness. Its weakness, as far as I recognize it, is that it assumes that the viewer already watched the 2003 series, so it does a beeline through the material that the 2003 series covered (and covered better, and covered well in its own right) before its divergence from the source.

I'll consider taking a look at this "Kino's Journey"-- image results give me a sense of nostalgia that I don't think I ought to be having but regardless still do.

My only complaint is that Shamballa should have been S2
I don't think it should have been made. It doesn't flesh out or otherwise demonstrate the themes of the series anymore than they already were by its end, and it persists with the questionable plot and lore additions that rankled me so. Still not bad, but the softness I grew for the latter part of the '03 anime did not translate to that movie.

Also, the 2003 series was as large as two modern day "Big Freaking Deal"-tier anime seasons, and the ending was pretty clean-cut.
 
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2003 did great for what it had. Definitely, a product of its time but it nails the darker undertones. When I first watched it I was shocked at how dark it was compared to the original, it's like they took FMA and mixed it with Kino's Journey and you get really interesting anime out of it. My only complaint is that Shamballa should have been S2 instead of a movie but barring that it's a pretty solid show that marked the end of the old-school anime era as more otaku-oriented shows started flooding the market after 2004 to the point that by the time Lucky Star ended that's all you had.
I prefer the original Full Metal Alchemist anime to Brotherhood. Though, to be fair I don’t really like either of them to begin with so I guess it really comes down to which I found to be less annoying. I don’t know what exactly it was but Brotherhood particularly just felt obnoxious. Not like One Piece levels of annoying or anything, it’s much more polished than that but it’s just.. I don’t know? Plain? Like, it’s exactly what you expect from a show that looks like that. There’s no surprises, it’s all very dull looking and Vic as Edward is just really bland. Total generic anime protagonist voice. Though all the voices in that anime were pretty muted and dull so...
 
I love when even nothing below 2000's is even indirectly mentioned (Evangelion and DBZ are too popular in general).
Fuck this.
 
but it doesn't work anymore. Jokes about Rosie O'Donnell and principals being lesbians just don't jive with modern sensibilities.
Yeah, that's what makes them funnier. The "lol you couldn't get away with this today" factor always serves to enhance old media.
 
It's impossible to watch series like Junjou Romantica without feeling extremely disturbed, but, at the time, when the show first aired, some queer fans were willing to take whatever representation they could get.
That's a funny way of spelling "they were masturbating furiously to romanticized sexual assault because they were all fujos who had no concept of personal space or bodily violation on account of never attracting male attention".
 
How weird it is to see shows I didn't like when they were first released in my mid-20s be called "classics" now.
And the real strange part about it is that the “classics” that they like usually are the ones embracing more girly-like men and manly-like women.

Case in point: Revolutionary Girl Utena, Cardcaptor Sakura, Sailor Moon, etc.
 
Similarly, watching older mecha shows can be challenging in a post-Evangelion era. Magical girl anime that aired prior to Madoka can feel vapid.
Those two shows completed ruined their respective genres for Westoids who pretend they know all about old anime when they obviously haven't watched shit. Those shows are like the Harry Potter of anime.

Yeah, I'm sure that the genre only matured when Anno ripped off Ultraman, Ideon, and Devilman to create Evangelion, and no mecha show ever did anything thought-provoking before. Anno wears his inspirations on his sleeve, but these "people" only ever watched a handful of "old" shows that happen to be extremely well known in the western anime community while pretty much only watching seasonal garbage, and write off actual classic shows as being too old to matter.
I don't even think they actually want to watch anime. They just want to be part of the "community", so they'll only watch stuff that's currently being discussed instead of looking for stuff they'd just enjoy watching for its own sake. They're just such miserable individuals.
 
And the real strange part about it is that the “classics” that they like usually are the ones embracing more girly-like men and manly-like women.

Case in point: Revolutionary Girl Utena, Cardcaptor Sakura, Sailor Moon, etc.

Don’t forget these


This other one’s from a game but got adapted into anime later

 
earlier entries in the genre is often disappointing because isekai, arguably, have improved a great deal since Sword Art Onlinereally popularized the genre.

Fucking stupid zoomer bullshit, isekai was popular decades ago with Escaflowne, El Hazard and even stuff like .hack and digimon did the trapped in a videogame world thing decades ago

flash animation, now more seamlessly integrated into 2D storytelling, has revolutionized anime.

you know this cunt thinks calarts shows look good

fans have their reasons for avoiding newer shows like The Rising Of A Shield Hero or Mushoku Tensei, given the controversies that have plagued both.

"fans" arent avoiding these shows, they're immensely popular, only twitter femcel freaks give a shit about these "controversies"
 
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