The Amazing Digital Circus - Western Isekai that probably will become Hazbin Hotel killer

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i love family guy

family guy is 100,000,000,000,000,000,000,000 times better than the stupid clown show
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Not sure if late on this.
gooseworks rn.mp4
I like how the creator of whatever this is made Goose shorter. Maybe it’s because they were tracing Stewie, but maybe they’re doing it for the same reason Cooper draws himself with hips - that is, tranny affirmations.

i love family guy

family guy is 100,000,000,000,000,000,000,000 times better than the stupid clown show
Funny you should specifically mention Family Guy, because Jeffrey Yang (aka the “Jasmine” Yang shown in every TADC episode credits) brought it up in a recent interview. Specifically, he’s been a voice director, general manager, development producer, and head of product at Glitch. He said something to the effect of, “well, if you want to make another Family Guy, sure, go ahead, but we’re trying to tell new stories”. Which is funny given Gooseworx has been pretty up front about his artistic influences (ex. IHNMAIMS, I Spy, End of Evangelion)… but yeah, whatever, bro. Snark at people who make more money while pretending your own work isn’t derivative. Whatever makes you feel better about that broken branch, Jeff.

I forget which interview it was but regardless of which one he’s still pretty fucking annoying.
Women are well known for their greasy comb-overs, autistic male voices, and having their bras visible in professional settings. Totally. And I attempted to archive these on PreserveTube, but it’s being resistant. Continuing with this “Jeffrey is a fucking narc”, he opens the We Interrupt This Broadcast interview by saying Glitch has a Netflix deal that “no one else has”. Real indie shit.

And, out of curiosity, I went and checked if he did interviews as a man. The ones I screenshotted here are actually two of several with him LARPing as a woman named “Jasmine” (what, was “Jade Teacup” taken?). I looked up interviews with “Jeffrey Yang” and redid my search with “Glitch” as a modifier… nothing. Looked on search engines for interviews with him…. Nothing. As far as I can tell, his first serious interview or personal essay was his “coming out” story.
Tranny Interviewer said:
In Australia, then-26-year-old animation studio manager Jasmine Yang, whose egg had cracked in 2019, stuck her first estrogen patch onto her stomach in the break room of her deserted office in Sydney. A burst toilet had flooded her apartment, and strict new lockdown rules introduced on March 31 left her with no other refuge.

It was, she recalls, a moment of “sublime” strangeness. “Yeah, my apartment is flooded; yeah, the world is going through a pandemic; and yeah I’m sleeping on a s****y office couch. But right now, I have what I’ve been waiting 26 years to get, so life is pretty sweet.”
To translate from Narc to English: He didn’t care if old people died in cages alone so long as he could goon. What a loathesome little freak of a man. The article also features some 6ft+ behemoth who trapped his wife into a marriage, “came out” as a “woman”, and then had them redo their wedding ceremony so his used-up ass could waltz around in a virginal white dress. The author calls himself “Io” - so a man presumes fo call himself by the name of the Greek goddess of the moon, classic feminine symbol. Completely repulsive. At least Jeff found a community of men as selfish as him.
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You can just tell from the “being trans isn’t a last option” take that this freak thinks children being transitioned is fan-fucking-tastic. Bet his cock twitches real hard.

Bro literally transitioned because he wanted to LARP as a pretty girl while looking into the screen. He probably has a hard-on in all of these interviews.
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Protip for tranny editors: You don’t need to add a credit in parentheses if you named the subject already and said it was a selfie. It’s almost like men have lower verbal IQ compared to women, on average.

How the animation group behind Racist Mario has more balls than the "UWU SO WHOLESOME CHUNGUS" company only boggles the minds of people who don't pay attention.
Dude, the company reflects the people who made it. It’s made up of grifters and trannies (ex. Gooseworx, Yang). Both groups are famous for being edgelords, developing acute troll’s remorse, and genuflecting insincerely in perpetuity to cash in on the next grift. Correspondingly, that’s the story of the company itself, my nega.
 
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Maybe thinking of this?

Maybe? There was very specifically a longpost of some sort on Gooseworx himself.
 
Maybe? There was very specifically a longpost of some sort on Gooseworx himself.
If there isn’t a thread on him, I’d see some potential with it. Though he doesn’t seem as “milk worthy” as other indie animation spergs and troons pointed out here like Michael Kovach; but a decent enough amount of drama to warrant that article, perhaps.
 
How the animation group behind Racist Mario has more balls than the "UWU SO WHOLESOME CHUNGUS" company only boggles the minds of people who don't pay attention.
Of course they don't have balls. They have eunuchs for showrunners.
You are actually going to give me a stroke if you don't learn to type the word 'the' properly.
 
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Thanks for catching it I fucking hate everything and it's somehow freezing cold right now probably due to humidity being 98% or some shit outside while it's night

anyways what's the deal with people that get successful/handed success in their 20s these last few years and turning into dysfunctional tranny ghouls?
 
because everything sucks dick now and constatn enshittification of culture did irreversible harm to young people's taste
they just don't know any better because they haven't experienced good things
I’ve been thinking about this a lot lately. I’m in my 30s now and people my age were absolutely spoiled for quality media when we were growing up and we didn’t realize it. Everything was better. Shows, games, music, books (especially books DEAR GOD), etc. As you said, the usual suspects have normalized slop to the point that the younger generations will accept this shallow, sanitized dogshit in all of its forms. I’m sure every generation thinks that the “new stuff” is bad, but I think this time is different. The kids aren’t alright.
 
You're not "indie" if you have to piggyback off the IP of a million dollar company. Make something original or fuck off.
I'm sure this made a lot more sense in your head, but here in the real world this is both wildly incorrect and retarded.

Being a parody of something popular does not magically stop you from being indie, especially when the similarities are 90% superficial, and even more so when you turn down brand deals from Netflix just so you can remain independent in the process.

The key to being a good indie project is not 100% unfettered originality, especially when it comes to something that was directly and specifically created because of the creator's passion for a specific hobby and the corporation that owns it fucking them over. It's about delivering on your initial concept and satisfying your audience without relying on billion dollar company backing and infinite money, which Flashgitz does and Glitch does not.
 
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anyways what's the deal with people that get successful/handed success in their 20s these last few years and turning into dysfunctional tranny ghouls?
They are autistic shut ins with infinity time to sink it on drawing because is the easiest skill to get attention with on sites like twitter or furry forums, strike gold by designing something that herds the autistic (bright colors, appealing shapes and designs, girl oc) expand on it successfully until they are contacted by someone willing to throw money on their project, do said project that get astroturfed by previous autistic fanbase amassed over the years and finally crumble because they were never built for the responsability of being a show runner. Trooning is just a natural part of being a shut in autist.
 
The thing that really baffled me (spoilers for the movie, if you haven't been spoiled yet) is how little we saw of Bubble in the movie. In fact, I don't think he showed up at all.

It seemed like the last episode was setting Bubble up as the big villain. The first AI that maybe Caine had the job of placating or controlling, salvaging his random, crazy output into something coherent ("his purpose" as he put it) you could even make out Bubble taunting Kinger and forcing him to delete Caine in the screencaps.

So it seemed like the setup was that Bubble got rid of Caine and was about to go wild, whether that meant something as grand as warping the circus in his twisted image, or something as small and simple as letting the abstractions out and using light to make them go ballistic.

It seemed like they were setting up Caine's arc to be that Bubble was the devil on his shoulder that was making him do everything wrong, but he was so devoted to his "purpose" that he couldn't get rid of him, and they even seem to play with that by having Caine remove the blue thing from his head and toss it into the void -- but they don't do anything to elaborate on how or why.

But other than Caine pulling a blue marble out of his head and tossing it aside, it doesn't seem like they did anything with what the last episode set up.

Like I get that authors are allowed to have preferences in what characters and things they write about, but there's a big difference between that and just straight up leaving your story unfinished.
 
They are autistic shut ins with infinity time to sink it on drawing because is the easiest skill to get attention with on sites like twitter or furry forums, strike gold by designing something that herds the autistic (bright colors, appealing shapes and designs, girl oc) expand on it successfully until they are contacted by someone willing to throw money on their project, do said project that get astroturfed by previous autistic fanbase amassed over the years and finally crumble because they were never built for the responsability of being a show runner. Trooning is just a natural part of being a shut in autist.
Drawing isn't a skill that gets you handed managerial and high paying business bean counter positions. I was talking about this fucking person int he article, not the guy that trooned out before the show got made that was the guy behind the show.

The thing that really baffled me (spoilers for the movie, if you haven't been spoiled yet) is how little we saw of Bubble in the movie. In fact, I don't think he showed up at all.

It seemed like the last episode was setting Bubble up as the big villain. The first AI that maybe Caine had the job of placating or controlling, salvaging his random, crazy output into something coherent ("his purpose" as he put it) you could even make out Bubble taunting Kinger and forcing him to delete Caine in the screencaps.

So it seemed like the setup was that Bubble got rid of Caine and was about to go wild, whether that meant something as grand as warping the circus in his twisted image, or something as small and simple as letting the abstractions out and using light to make them go ballistic.

It seemed like they were setting up Caine's arc to be that Bubble was the devil on his shoulder that was making him do everything wrong, but he was so devoted to his "purpose" that he couldn't get rid of him, and they even seem to play with that by having Caine remove the blue thing from his head and toss it into the void -- but they don't do anything to elaborate on how or why.

But other than Caine pulling a blue marble out of his head and tossing it aside, it doesn't seem like they did anything with what the last episode set up.

Like I get that authors are allowed to have preferences in what characters and things they write about, but there's a big difference between that and just straight up leaving your story unfinished.
The blue ai shape in the flashbacks was blatantly meant to be bubble. He's literally a clear blue orb and is the one that goes "you really were the lesser of the two" in the last one before this. It's weird how they just completely drop that to have caine just schizo out and then pull a negative ion from his head.
 
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The thing that really baffled me (spoilers for the movie, if you haven't been spoiled yet) is how little we saw of Bubble in the movie. In fact, I don't think he showed up at all.

It seemed like the last episode was setting Bubble up as the big villain. The first AI that maybe Caine had the job of placating or controlling, salvaging his random, crazy output into something coherent ("his purpose" as he put it) you could even make out Bubble taunting Kinger and forcing him to delete Caine in the screencaps.

So it seemed like the setup was that Bubble got rid of Caine and was about to go wild, whether that meant something as grand as warping the circus in his twisted image, or something as small and simple as letting the abstractions out and using light to make them go ballistic.

It seemed like they were setting up Caine's arc to be that Bubble was the devil on his shoulder that was making him do everything wrong, but he was so devoted to his "purpose" that he couldn't get rid of him, and they even seem to play with that by having Caine remove the blue thing from his head and toss it into the void -- but they don't do anything to elaborate on how or why.

But other than Caine pulling a blue marble out of his head and tossing it aside, it doesn't seem like they did anything with what the last episode set up.

Like I get that authors are allowed to have preferences in what characters and things they write about, but there's a big difference between that and just straight up leaving your story unfinished.
According to goose bubble was just a part of Caine, because apparently rogue AI can have self doubt and hatred now. God I hate how modern writers fancy themselves some grand chessmaster when "the final episode is open ended" means "we didn't actually have an answer for this question so we're not going to answer it and hope it comes off as super deep"
 
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