Manwithn0n0men
kiwifarms.net
- Joined
- Aug 19, 2019
JEB sold me on this
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If it turns out to be a derivative mess, then fuck it, I'm all for killing off loud, quippy capeshit. There are worse things to rip off than Scorsese.
I told ya'll niggers this would be kino. All the rotten reviews are MUH INCELS so technically it should be even higher.
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Joker (2019)
www.rottentomatoes.com
How is he an incel? The trailers clearly show he has a black girlfriend/love interest.
I told ya'll niggers this would be kino. All the rotten reviews are MUH INCELS so technically it should be even higher.
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Joker (2019)
www.rottentomatoes.com
This is a positive review, but what the hell?This is a truly nightmarish vision of late-era capitalism - arguably the best social horror film since Get Out - and Joaquin Phoenix is magnetic in it.
Robert Ebert wouldn't want his name used like this.As social commentary, Joker is pernicious garbage.
More like white men are incels despite they all are rapists at the same time...Any man behaving oddly for any reason is an incel. No exceptions.
Todd Phillips deserves a bit more credit than being "the guy who directed The Hangover." His first movie was Hated, a documentary on GG Allin. I haven't seen that myself (Allin seemed to like what little he saw of it before being thrown out of the screening for...well being Allin), but if that was the subject of his first movie, I think this is a subject he could competently tackle in a fiction movie.I still can’t believe that it’s directed by the same guy who directed The Hangover.
Todd Phillips deserves a bit more credit than being "the guy who directed The Hangover." His first movie was Hated, a documentary on GG Allin. I haven't seen that myself (Allin seemed to like what little he saw of it before being thrown out of the screening for...well being Allin), but if that was the subject of his first movie, I think this is a subject he could competently tackle in a fiction movie.
If the guy who co-wrote Hangovers 2 & 3 could make Chernobyl, then anything's possible.I still can’t believe that it’s directed by the same guy who directed The Hangover.
I think the one things the Nolan Batman movies got right was leaving his origin a mystery.
“Nobody who sees this new film will ever need any other version.”
David Sexton, London Evening Standard
“This is a truly nightmarish vision of late-era capitalism – arguably the best social horror film since Get Out – and Joaquin Phoenix is magnetic in it.”
Philip De Semlyen, Time Out
“Joker is one of the true masterpieces of the superhero cinema, and one of 2019’s greatest achievements.”
Mark Hughes, Forbes
“A dazzlingly disturbed psycho morality play, one that speaks to the age of incels and mass shooters and no-hope politics, of the kind of hate that emerges from crushed dreams.”
Owen Gleiberman, Variety
“Joker succeeds thanks to the talents of Phoenix, who’s crafted a layered, terror-inducing antagonist, and earned his rightful place alongside Heath Ledger and Jack Nicholson in the pantheon of all-time-great Jokers.”
Marlow Stern, The Daily Beast
But it’s also potentially dangerous““Joker” is a dark, brooding and psychologically plausible origin story, a vision of cartoon sociopathy made flesh.”
Justin Chang, Los Angeles Times
“Phillips may want us to think he’s giving us a movie all about the emptiness of our culture, but really, he’s just offering a prime example of it.”
Stephanie Zacharek, TIME Magazine
“Todd Phillips’ “Joker” is unquestionably the boldest reinvention of “superhero” cinema since “The Dark Knight”; a true original that’s sure to be remembered as one of the most transgressive studio blockbusters of the 21st Century. It’s also a toxic rallying cry for self-pitying incels […] directed by a glorified edgelord who lacks the discipline or nuance to responsibly handle such hazardous material, and who reliably takes the coward’s way out of the narrative’s most critical moments.”
David Ehrlich, IndieWire
““For so many tragic reasons, the American imagination has of late been preoccupied with the motivations of disaffected white men who’ve turned violent […] In Joker, “we watch the terrible burgeoning of just such a man and are, in some grim way, asked to sympathize with him.””
Richard Lawson, Vanity Fair
“Having brazenly plundered the films of Scorsese, Phillips fashions stolen ingredients into something new, so that what began as a gleeful cosplay session turns progressively more dangerous – and somehow more relevant, too.”
Xan Brooks, Guardian
“If you strip the Joker and his nearly 80-year history as a cultural icon out of this film, as well as all the 1970s movie homages, there’s not a whole lot left except for Phoenix’s performance, and it’s the kind of turn that’s destined to be divisive.”
Alonso Duralde, TheWrap
“As social commentary, Joker is pernicious garbage.”
Glenn Kenny, RogerEbert.com